ARTISTIC APPROACH
My artistic practice develops from drawing and painting, considered as spaces of experimentation where the image is in constant transformation. I am interested in the processes of alteration, disappearance and reappearance of forms, as well as what is no longer valued: rejected objects, worn-out materials, abandoned fragments. My work seeks to make visible what we no longer see. I paint colorful and abstract pareidolias, built by overlaps, erasures, coverings and assumed accidents. These vibrating, unstable fields allow suggested, almost accidental forms to emerge, as if the image revealed itself through matter. Within these compositions, I introduce in a figurative way -most often in black and white- a rejected or banal object. This contrast between the colored density and the sober presence of the object creates a tension: the marginal element becomes an anchor point for the gaze. The disappearance of images constitutes the heart of my research. It is not a symbolic or digital erasure, but a material and physical phenomenon: degraded surfaces, interrupted gestures, erasures, fragments, erased areas. I frequently work on recovered or altered media: canvases and reused papers, cardboards, wood, fabrics ... whom I consider to be bearers of a prior memory. These materials, already marked by time or use, become active partners in the creative process. My approach is part of a reflection around the notions of trace, ruin, fragment and waste. By reintroducing neglected elements into the pictorial space, I question the value we attribute to images and objects. What is worth preserving, watching, passing on? What do we agree to let disappear? The process matters as much as the completed work. I prioritize long time, experimentation, and the gradual evolution of work. Each intervention leaves a trace, visible or buried, participating in the development of a personal plastic language. Through my paintings, I seek to shift the gaze, to slow down perception and to propose a space where the ordinary, the marginal and the fragile find a new presence—a place
SOLO SHOWS
2023 / In Memorium, Galerie EspaceGT, Marseille Commissariat : Antje Poppinga
2022 / Made In America, Galerie du Tableau, Marseille Commissariat : Bernard Plasse, Roberto Comini
2020 / PossessionsImpures, L’Appartement, Marseille
2020 / PossessionsImpures, 2Bis, Marseille
2019 / Chaires Roches, Arkose, Marseille
2018 / PossessionsImpures, Le 162, Marseille
2016 / Itinéraires de Naissances, Le *Closet*, Marseille
2012 / L’Equilibre, LePointDeBascule, Marseille
2012 / 166, Maupetit, Marseille
2012 / 166, ArtImages, Giens
2010 / Alphabet, DétourDesign, Marseille
GROUP SHOWS
2025 / Noëlisation XI, Atelier Séruse, Marseille
2025 / Don’t forget us, S.A.N.D, PAC-off, Marseille
2025 / GreenHill Center for NC Art, Greensboro, USA Commissariat : Arden Craft
2024 / Hybrid’Art, Port de Bouc Commissariat : Centre d’art Fernand Léger
2023 / Biennale de la Joliette, Marseille Commissariat : Emmelien Brouwers
2023 / Rouge sur Blanc, Maison d’Artistes, Céreste Commissariat : Suzanne Strassman & Isabelle Goetzmann
2023 / IMPACT, Atelier LeBel, Marseille Commissariat : Cyril Moulinié
2022 / DrawingMarket, Drawing Society, Paris Commissariat : Clémence Oyer
2022 / Noëlisation VIII, EspaceGT, Marseille Commissariat : Antje Poppinga
2022 / OAA, Patrick Michault, Marseille
2021 / Inceptions, Apartment number 9, Marseille
2019 / Centre International des Arts, sélection de l’Académie des Beaux-Arts, Prix de dessin David-Weill, Paris
2018 / Epineux, Galerie DoubleV hors-les-murs, Marseille
2017 / Stolon, HLM, MarseilleExpos, Marseille
2016 / AMI, Friche Belle de Mai, Marseille
2016 / à Vendre, atelier NI, Marseille
PERFORMANCES
2025 / Performance musicale sur les poèmes de Patrick Pasquinelli, PAC-off Marseille
2023 / Performance dessinée, biennale de la Joliette, FRAC SUD, Marseille
2022 / De la source à la cible, Centre du Théâtre d’Aujourd’hui Montréal, Canada
2022 / Festival vrrraiment, Metaxu, Toulon
2019 / Festival vrrraiment, Metaxu, Toulon
2008 / 2011
Village Des Possibles, Strasbourg
Avide Jardin, Muttersholtz
Festival des arts de la rue, Limoges
Printemps des Poètes, Chateau Arnoux
Facteurs d’Amour, Marseille
PRIZES, AWARDS, SELECTIONS,
2025 / Dotation Temps de recherche artistique, ADAGP
2024 / Hybrid’Art, Port de Bouc Commissariat : Centre d’art Fernand Léger
2019 / Prix de dessin David-Weill, Paris, lauréate Académie des Beaux-Arts, Paris
2007 / Premier Prix AdobeReedExpo, concours d’affiches
PUBLICATIONS/ARTICLES
2020 / smArty magazine, Marlène Pégliasco
2017 / SSSEX, Gabriel Delmas
2017 / stolon, Artistes sur Artistes
2006 / Le+QueToi, 3 livres sur l’internement
EXPERIENCES
2025 / Membre du Comité de Sélection acquisition oeuvres artistiques et patrimoniales de la ville de Port-de-Bouc
2025 / Atelier Vis'Arts de la ville de Port de Bouc, Centre d'Art Fernand Léger
2024 / Ateliers Globule, Metaxu, Toulon
2022 / Plasticienne Intervenante auprès des classes de spécialisation Arts du lycée Dumont-D’Urville Toulon - Création d’une œuvre collective avec Stefan Eichhorn
2022 / Publication premier livre, littérature d’aventures et autobiographique «Hernán»
2016 / *Closet* : lieu consacré au dessin contemporain
2014-2015 / professeure de dessin
2012-2019 / skipper pour la plaisance à voile
2008-2010 / formatrice PAO-CAO
2007-2010 / studio de communication visuelle MoZgY
EDUCATION
2012-2013 / Capitaine 200UMS,
diplôme de la marine marchande
2006 / Diplôme de conceptrice en communication
visuelle, mastere de design graphique (niveau I)
E.C.V Aix-en-Provence (mention et félicitations)
2000-2002 / École des Beaux-Arts, Aix-en-Provence
english level : C1 (TOEIC 4Skills octobre 2024 - 940/990)
nociones de español
зачаточный русский язык